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Joan Didion
© Brigitte Lacombe
JOAN DIDION

The Art of Nonfiction No. 1
Interviewed by Hilton Als
Issue 176, Spring 2006
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From the Interview
INTERVIEWER
You said earlier that after The White Album you were tired of personal writing and didn’t want to become Miss Lonelyhearts. You must be getting a larger personal response from readers than ever with The Year of Magical Thinking. Is that difficult?

DIDION
I have been getting a very strong emotional response to Magical Thinking. But it’s not a crazy response; it’s not demanding. It’s people trying to make sense of a fairly universal experience that most people don’t talk about. So this is a case in which I have found myself able to deal with the response directly.

INTERVIEWER
Do you ever think you might go back to the idea of doing little pieces about New York?

DIDION
I don’t know. It is still a possibility, but my basic question about New York was answered for me: it’s criminal.

INTERVIEWER
That was your question?

DIDION
Yes, it’s criminal.

INTERVIEWER
Do you find it stimulating in some way to live here?

DIDION
I find it really comfortable. During the time we lived in California, which lasted twenty-four years, I didn’t miss New York after the first year. And after the second year I started to think of New York as sentimental. There were periods when I didn’t even come to New York at all. One time I realized that I had been to Hong Kong twice since I had last been to New York. Then we started spending more time in New York. Both John and I were really happy to have been here on 9/11. I can’t think of any place else I would have rather been on 9/11, and in the immediate aftermath.

INTERVIEWER
You could have stayed in Sacramento forever as a novelist, but you started to move out into the worlds of Hollywood and politics.

DIDION
I was never a big fan of people who don’t leave home. I don’t know why. It just seems part of your duty in life.


Find the complete Joan Didion interview in The Paris Review Interviews, I available now from Picador.
To read Joan Didion's 1978 interview with The Paris Review click here.
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