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THE PARIS REVIEW No. 26
Summer-Fall 1961 |
$30 | Order Now |
Marianne Moore on exhilarating biology, the Brooklyn Dodgers, the art of quotation, and her “so-called poems.”
Norman Mailer on “The Psychology of the Orgy”.
Anna Akhmatova, Osip Mandelstam, Boris Pasternak, and Marina Tsvetayeva: A portfolio of Russian poetry. |
| TABLE OF CONTENTS |
| INTERVIEW |
| Ilya Ehrenburg, The Art of Fiction No. 26 | | Marianne Moore, The Art of Poetry No. 4 |
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| FICTION |
| Cecil Dawkins, The Mourner | | Georgia McKinley, Across the Line | | Hughes Rudd, Miss Euayla is the Sweetest Thang |
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| FEATURE |
| Olga Carlisle, A Portfolio of Russian Poetry | | Norman Mailer, The First Day's Interview | | Pierre Schneider, Text, Jacques Herold Portfolio |
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| POETRY |
| Anna Akhmatova, Two Poems | | Philip Booth, Night Notes on an Old Dream | | George Mackay Brown, Harald, etc. | | Paul Carroll, The Wicked and Unfaithful Song of Marcel Duchamp to His Queen | | Thom Gunn, My Sad Captains | | Malcolm Lowry, Three Poems | | Osip Mandelstam, Ten Poems | | W. S. Merwin, Two Poems | | Boris Pasternak, Two Poems | | Charles Reynolds, For Kate | | Frederick Seidel, Dayley Island | | Marina Tsvetayeva, Seven Poems | | Andrey Voznesensky, From the Window of a Plane | | James Wright, Three Poems |
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| ART |
| Hans Beck, Cover | | Olga Carlisle, Drawings | | Bee Dabney, Contents Page | | Jacques Herold, Portfolio | | Tom Keogh, Illustration | | George Thompson, Illustration |
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